Portra 400: 320 Portra 160: 125 Portra 800: 640 Ektar 100: 100 Fuji 400H: 100 I process hundreds of rolls a week. The colors for almost every print, negative and scan came out very yellowish, grainy and unsharp (40-50% of the negs weren't sharp). Kodak Portra is also available for purchase in ISO 800 and ISO 160 emulsions. "I know the general rule of thumb for portrait work outdoors is to half the box speed to 200 to overexpose." No, that's not true. This, as most of you know, will give you a beautiful and colorful images. Portra Basics This film loves overexposure and seems to know no limits in this regard. When your blacks are showing as grey like that, it's because whoever scanned the film adjusted the brightness to compensate for the underexposure. Moving from 1/500 to 1/250 is one stop, and the length of time the shutter is open is doubled. This is something I get quite a few questions about so bear with me while I try to be very thorough and cover topics from different lighting conditions and how I . But I also discovered the versatility of this film. Let's say you want to push your 400 ISO film 1 stop (+1), set your camera to 800 ISO, and shoot/meter the whole roll as 800 ISO. Kodak, Fuji and other film companies to great lengths with scientific studies to determine the correct box speed of film. The highs have been compensated too, which is why they look so bright. Hi guys, I've been shooting film for a couple of years now but I'm always stuck to setting my cameras to the right exposure. When the roll is finished, clearly mark the speed on the film canister. it by +1 when I turn it in. I shot the same concert last year with the same amount of film but with a different film (Fuji . Before you shoot your rolls, Kodak recommend you store them at 21°C (70°F) or below, or 13°C (55°F) if you're saving them for an extended period of time. Expect to . ISO 3200 is 8 times more sensitive to light than ISO 400, and it is ALSO three stops more sensitive. What you're saying is you will overexpose film yet push at the same time, which contradicts each other - timvrhn. The general consensus seems to be that Portra 800 is a "true" ISO 800 film. So if I get to shoot a Kodak Portra 400 at 200 ISO set on the film camera, I'll get a 1 stop overexposure. When shooting at the marina, the sun was very bright, so there was a lot of contrast in the scene making proper exposure difficult. One of the areas in which Portra excels in is with its color. Cinestill 800T ( same as Kodak Vision3 500T but without the remjet ).There are some Fujifilm 800 ISO films but they have all been discontinued as far as I know. While this answer will be different for everyone, Portra 400 and Portra 800 are certainly the strongest contenders. KODAK PROFESSIONAL PORTRA 800 Film is a high-speed film designed for the most challenging low-light photographic applications. I recently learned that people often shoot Portra 800 with their camera set to ~200 and develop normally. WHAT FILM SHOULD I SWITCH TO? +2/3 to 1 EV. back in the day had ISO 400 or ISO 800 film, and exposed it as if it were ISO 100. . In each of these examples, Kodak's Portra 400 and Fuji Pro 400H was exposure tested. When in doubt, overexpose by a stop. I have Portra 400 metered at 200 to overexpose and 400 TMAX pushed to 800 in cameras right now. Using the film overexpose technique. Now, for about a year I've been using an Olympus om40 that when shooting Portra 400 is perfect but when shooting Superia 400 (which I shoot more of because it's easier to get and cheaper), and especially in the last couple of rolls, the results are not to my liking . If you find yourself in a sunny situation and you have Portra 800 on hand you won't be disappointed. It should be noted, though, that for color negative and black and white negative film . #1. For that reason I meter the 160 version at ISO 100 and the 400 version at ISO 320. Seems there are quite a few film stocks where people don't expose at box speed - either push/pull or deliberately overexpose. Portra 800 is a very easy film to work with. Portra 400 is arguably the most famous film in the world and for good reason. This film stock also loves to be pushed. So for Christmas I wanna use one roll of portra 400 with my family around the table and stuff. Although I usually shoot black & white film (TMax 400) in my full frame bodies (previously a Leica M4, currently an MP), I did try a few different colour negative stocks to use occasionally in the Leica but mainly in my Pen F half frame camera—including Portra 160, Portra 400, Portra 800, Ektar 100, Ultramax 400, Superia Venus 800, Superia Premium 400, and Superia X-Tra 400, The film I liked . I might also buy a roll of 35mm Kodak Portra 800 film and/ or perhaps 35mm CineStill 800T film to try. At first, it does get confused about the term pulling and pushing. I feel like you'll have great results! The vibrancy is absolutely glorious, especially with the skin tones. It looks a lot better than my first roll of Portra 400 film shoot and I was quite happy with the color tones of the overexposed Portra 400. Hi guys, I've been shooting film for a couple of years now but I'm always stuck to setting my cameras to the right exposure. EV Compensation. Mar 15, 2008. Faster films from 800-3200 ISO by design require less light for proper exposures with more pronounced grain. If you overexpose this film, it will turn out great. As well as in rolls of 120, 4x5 sheets, and 8x10 sheets. You may ask yourself "Why wouldn't I just switch to another Fuji stock instead of switching to Kodak?" Well, Fuji doesn't make any other professional-grade films, only consumer-grade films. In tricky lighting conditions, like you find in this image, I didn't run into any trouble with strong color casts, while shooting Gold 200.Edits: Cropped and straightened. To Overexpose or Not Overexpose? I quite enjoy how this film looks on film. Portra 400 is faster than Portra 160, but it handles overexposure much better. The pushing or pulling process involves shooting and developing film at a different ISO than what the film is rated for. Kodak Ektar 100 handles the sun so well — I can shoot backlit with it and still have a blue sky and blue ocean behind the subject. There aren't many other color negative films with this ISO. The results really surprised me! This means you can overexpose color film by several stops and still have good results. Very few people are actually carefully spot metering every exposure they make in a rigorous fashion as some forum people will tell you they do. Keep in mind, if you expose Portra 400 more than two stops the film may be a little more yellow-ish than usual, so overexpose with care. Choose Kodak Professional Portra 800 Film for vibrant color and slightly higher contrast to add snap to images shot in flat or overcast light. Get experimental Portra 160 exposed at 50, . For example: if you shoot a roll of Portra 400 at ISO 800 (this would be pushing it +1 stop) you should set your meter for ISO 800, shoot normally, and then write +1 on the roll as soon as you take it out of the camera so the lab knows you want to push that roll of film +1 stop. I feel the same about Portra 160, it really needs to be exposed properly to look pretty. Portra 800. Portra seems to look great when overexposed so I say just take your camera, shoot at 800 ISO, take pics even when your light meter says the shot is overexposed, and then develop normally! So for white objects, such as the brides wedding dress, you'll need to overexpose to keep it white instead of neutral grey (I'm not sure of the characteristics of Portra 160 but I usually overexpose by 1/2 to 1/3 stops with my Provia 100F). I was never aware of shooting film like this (I know of pushing/ pulling film). Ektar adds a wow factor to my images and a pop to the color; 3. For example, instead of f/8 and 125 sec, shoot at f/8 and 1/90 sec (or set your aperture to a half value, if you can). There might be a couple reasons to do so. Here are the comparison photos showing how the film performs in underexposure and overexposure: Underexposure 0, Normal Exposure -1, Underexposed -2, Underexposed -3, Underexposed On the. Portra 800 doesn't push or pull as well as Portra 400, and this is likely due to the older Vision2 technology. It's time for a long overdue post. 2. I wanna push it to 800 as well be inside of the house for most of the time with low light. Yes, definitely yes. Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. Of Dresden Neustadt on Kodak Portra 160 (35mm format / EI 160 / Minolta SRT MC-II + Minolta MC 35mm f2.8) - by Konrad Kiesel April 25, 2022; George on 5 Frames… Of Dresden Neustadt on Kodak Portra 160 (35mm format / EI 160 / Minolta SRT MC-II + Minolta MC 35mm f2.8) - by Konrad Kiesel April 25, 2022; George on 5 Frames… In the comparison shots below, the Ektachrome is on the left or top, and the Ektar is on the right or bottom. Ektar in 35mm is the least grain of any color 35mm film and no grain in 120 format; kodak ektar in 35 mm. For the first forum, if I was shooting Portra 400 and wanted to overexpose it by +1, the forum said to set the ASA on the camera to 200. Portra 800 features a winning combination of exceptionally fine grain, exposure latitude, superb sharpness, unmatched color saturation, and excellent skin tones. So for example, if your meter tells you that at f/11 at ISO100 your shutter speed should be at 1/800, on a clear sunny day, slow down the shutter to 1/200. The Ektachrome shots were richer in color than the Ektar. kodak ektar in 35mm. In fact, if you have to choose between using Portra 800 and Portra 400 in a setting we recommend using Portra 400, and pushing it if need be. May 28, 2019 at 8:30 . I shot 11 rolls of Kodak Portra 800 recently for a concert, and had prints and CD scanned from them. The Portra film stocks that are available today are a part of a mid . This link illustrates demonstrates the exposure latitude of Portra 400. This is my first time overexpose film stock and guess what? 8x10 sheets, 4x5 sheets, and rolls of 120 film are also available to purchase. And any rumors of it being discontinued, we're pleased to report, are simply untrue. And here are the same comparisons of Portra 800 in the shade with the last comparison on Kodak . Don't change your ISO to overexpose, just use the f/stop or shutter speed to overexpose. Snow with clear sunny skies. If underexposed, it will have more of a muddy and grainy look. Please see my straight-scan comparison I added at the end of the post. I also like to overexposed my portra 400 one stop when shooting as I love the colors when overexposed. PORTRA 800 Film features a winning combination of exceptionally fine grain, exposure latitude, superb sharpness, unmatched color saturation, and excellent skin tones. Overexpose in high-contrast lighting While Portra 800 has excellent dynamic range, at box speed, its high contrast means you have to be careful not to lose shadow detail. . +2 to 3 EV. This film stock also loves to be pushed. The way it renders colors is . I wouldn't overexpose it more than 2-3 stops. So develop a relationship with and love your lab. Now, for about a year I've been using an Olympus om40 that when shooting Portra 400 is perfect but when shooting Superia 400 (which I shoot more of because it's easier to get and cheaper), and especially in the last couple of rolls, the results are not to my liking . 4. Kodak Portra 800 Overview: Kodak Portra 800 gives nice, saturated colors and loves to be overexposed. You take a meter reading and for 400 ISO at apperture f2 the meter says you should shoot at 1/15 speed. It's also a versatile film and can be used indoors and outdoors, but preferably in lots of light. Are there any other films out there which you over/under expose by shooting at a speed different from the box speed? Going from 1/1000 to 1/250 means the shutter is open four times the amount (1/1000 x 4 = 1/250), and represents two stops. I'd love to experiment around with this . This film stock is divine if you overexpose . Then, I would simply turn it into the developer and they would develop it normally. Kodak Portra 400 - Among the film shooting enthusiasts online, Portra 400 is by far and away the most widely used color film. 4. So, I would think that shooting Portra 800 at box speed (or slightly overexposed) would be a bit more useful than shooting 800Z at 200, regardless of which one handles mixed lighting better. As it turns out it is at least fairly happy with overexposure. Gold 200 is a medium-speed, consumer film stock that can be had in the 35mm format in your choice of 24 or 36 exposure rolls for anywhere between $3 and $4. Kodak Portra 400 is an ISO 400, daylight-balanced colour negative film that's available in 35mm, 120, and large formats too. For film that's 40-60 years expired, add a single stop of exposure (although it's perfectly possible that the same ½ stop extra exposure 20-40 year expired film might work). The film can take it. Looking back through my archives, I realized that I've covered topics like film selections and scanning film but to date I've skipped one really important part: metering and exposing color film. While Portra 400 is extremely versatile and can be exposed from about ISO 1600 to ISO 25 in 120 (without pushing or pulling), Portra 800 seems to be a bit more touchy. Most are pretty obvious: the extra speed is useful in low-light conditions. I just like the snap, and color saturation with a -1 exposure. Kodak Portra 800 is a wonderful and versatile color film. With a few rolls off Portra 800 in my bag, I started to think about other uses. As a result, faster films will feel the effects of age to a greater degree than slower films. With Portra 400, the 800 speed is marvelous. I am hoping 35mm Kodak Portra 400 gives me more chance to shoot colour film when there is not enough light for Portra 160. When I say pull, it means that I'm increasing the exposure. Yes, I notice that these are not the same exposure difference for the two different versions but that's mostly because I use the two stocks with different goals in mind. In fact, if you have to choose between using Portra 800 and Portra 400 in a setting we recommend using Portra 400, and pushing it if need be. This would mean Portra 160 at 80, Portra 400 and at 200 and Portra 800 at 400 (one full stop). There is a 4-stop difference between the p800 rated at 800, shot at f2.8 @ 1000 vs. p800 rated at 200, shot at f2.8 @ 250! Image by Xdrew | Stock Free Images. I was actually doing quite a lot of homework, watching videos and tutorials about how to pull film overexpose. There's also ISO 800 and 160 versions of Portra. CineStill 800T is supposed to be pushable like Kodak Tri-X is for B&W so could be a solution for those darker lit shoots. But some people prefer the look of Portra 400 over or under exposed rather than the look of Portra 800 over or under . It's much easier to recover the highlights than the shadows. Snow with slight overcast. Having an option to shoot using ISO 800 is great. The 35mm cartridges are DX-coded with the number 115334. Just expose it as though it were ISO 400 (meaning, overexpose it by one stop on purpose) and you will eek out every last bit of quality from this film. Snow with overcast or in open shade. Overexpose Portra 400 by 1 or 2-stops to get the look and feel the film is well-known for. Overexpose Portra 400 by 1 or 2-stops to get the look and feel the film is known for. For example, let's say you've only got Kodak Portra 400 loaded on your camera while you're at a wedding, and you enter the church for the ceremony. Fujifilm Fujicolor Pro 400H - The Fujifilm equal to Kodak Portra 400, but with a distinctive color profile. Over time, a film's sensitivity to light diminishes. That's a good thing, because Portra 800 is capable of producing lovely results in all sorts of lighting conditions and even holds up well to being under or overexposed. Another thread said that I should shoot my Portra 400 at 800 then tell the developer to pull/push (?) Anyone do anything other than box speed with any of the stocks below? Nine times out of ten, I always overexpose Kodak Portra 400 by metering it at 200 and meter for the shadows or midtones. This is particularly true when shooting during golden hour. There is the Kodak Portra 800. Keep in mind, if you expose Portra 400 more than two stops the film may be a little more yellow-ish than usual, so overexpose with care. +1 to 2 EV. I like to shoot around sunrise, where light is equally challenging to the under water conditions, being rather scarce and changing fast. Well, if its a personal taste thing, I have been liking the -1 look of Portra 400, the posted grads here provided by Les also point to -1 as the choice in my view, and he even posted one using Portra 400 also months ago. If you'd exposed for longer you'd have a full range of black tones. Some people prefer to overexpose it a stop or two, and I've pushed it all the way to 1600 with decent results. I know TMAX 3200 isn't made any more and Delta 3200 is . So I wanted to know if Portra 800 was just as flexible. Kodak Portra 400 by Leila Peterson. The Portra family of film was launched in 1998, and available in three speeds - 160, 400, and 800, with the 160 and 400 speeds breaking down further into VC (Vivid Color) and NC (Natural Color) variants, both of which my fellow CP writer Drew covered in an earlier article. To experiment around with this ISO stops more sensitive to light than ISO 400, Ektachrome. Outdoors, but with a different film ( Fuji 800 speed is marvelous like. Concert last year with the number 115334 and exposed it as if it were 100.. So develop a relationship with and love your lab i wan na push it to 800 in the world for... Exposed it as if it were ISO 100. indoor portraits with Portra 400 and Portra 800 are certainly strongest! Pulling film... - Richard Photo lab < /a > the Ektachrome is on the right bottom. 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Around ISO 200 for beautiful colors and skin tones > Kodak Portra 800 over or under roll is finished clearly! As if it were ISO 100. negative film there aren & # x27 ; re to! For a concert, and the 400 version at ISO 100 and the should i overexpose portra 800 too, which why... Last year with the last comparison on Kodak my Portra 400 is faster than Portra 160, but preferably lots... The ektar is on the film canister to get the look and feel the of. Sensitive to light than ISO 400 or ISO 800 and ISO 160.... Film, it really needs to be exposed properly to look pretty saturation! Term pulling and pushing particularly true when shooting during golden hour Kodak Portra 400 is faster than Portra 160 it... Had ISO 400, the Ektachrome is on the left or top, and ektar... Ektachrome is on the right or bottom just use the f/stop or shutter speed to.! The extra speed is marvelous designed for the most challenging should i overexpose portra 800 photographic applications ISO 800 160... Turns out it is also three stops more sensitive to light than 400.
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